When it comes to film remakes, some choices leave us scratching our heads. One such example is the 1962 film Four Horsemen of the Apocalypse (1962), directed by Vincente Minnelli. The casting decisions raise eyebrows. Why was Glenn Ford chosen to play a charming Latin lover, a role once made famous by Rudolph Valentino? Ford’s chemistry with Ingrid Thulin, who struggled with English and was dubbed throughout, is about as exciting as a brick against a nail.
A Confusing Cast
The film features a mix of actors that seems mismatched. Lee J. Cobb plays Madriaga, but his character is quickly dispatched. Yvette Mimieux portrays a spirited resistance fighter, while Paul Henreid, two decades after Casablanca, returns as a freedom fighter whose wife is unfaithful. The casting choices feel off, and the film lacks the spark needed to engage viewers.
Visuals and Music Shine
Despite its flaws, Apocalypse has some redeeming qualities. Minnelli’s talent for creating visually stunning scenes is evident. The film features beautifully decorated frames and choreography that resembles dance. Andre Previn’s musical score adds a lovely touch, especially in a poignant scene between Paul Lukas and Charles Boyer, who play grieving fathers. However, these moments are few and far between.
Plot Overview
Set during World War II, the film follows Julio Desnoyers (Glenn Ford) as he embarks on a love affair with the married Marguerite Laurier (Ingrid Thulin). Julio’s father, Marcelo (Charles Boyer), deserted the army years ago and urges his son to fight the Nazis, unaware that Julio is already part of the resistance. This leads to a spy-like plot where Julio faces a suicide mission and a final showdown with his cousin Heinrich (Karl Boehm).
Other characters include Julio’s sister Chi Chi (Yvette Mimieux), who joins the resistance early on, and Marguerite’s husband, Etienne (Paul Henreid). The film attempts to add excitement with its WWII backdrop, but it ultimately falls flat.
Missed Opportunities
It’s surprising that with the thrilling context of World War II, the film fails to deliver a compelling story. Glenn Ford, at middle age, is miscast in a role that needed a younger, more suitable actor. Minnelli’s direction lacks the intensity required for a film about war and love. Key scenes that should be filled with tension feel dull and uninspired.
The cinematography by Milton R. Krasner is a highlight, showcasing sweeping vistas. However, these visuals do little to draw viewers into the narrative. The film also introduces more interactions between the French and German families, but these changes do not enhance the story.
A Bizarre Moment
One particularly odd scene occurs when Marguerite tells her husband she is leaving him for Julio just as he arrives, traumatized from torture. The timing feels contrived and adds to the film’s overall awkwardness.
Final Thoughts
In conclusion, Apocalypse is a disappointing remake that fails to capture the essence of the original silent film. Despite some beautiful visuals and a few strong performances, the film is poorly written and lacks the emotional depth needed to resonate with audiences. If you’re considering watching it, you might be better off sticking with the original.
Rating: 2.5 out of 4