The Dancer Upstairs (2002) Movie Review, Cast & Crew, Film Summary

The Dancer Upstairs

The Dancer Upstairs (2002 Movie)

The Dancer Upstairs is a gripping political thriller directed by John Malkovich and based on the novel by Nicholas Shakespeare. Set in an unnamed Latin American country, the film explores the complex and dangerous world of terrorism and revolution. The story follows Agustin Rejas, a dedicated police detective played by Javier Bardem, as he investigates a series of brutal bombings orchestrated by a mysterious group known as the Shining Path.

A promising film with intriguing concepts, offering a dramatized depiction of the terror organization Shining Path and an interesting yet disappointing experience

With its lumpy pace and TV movie transition shots, John Malkovich’s directing is sometimes near unprofessional. The storyline alternates between major political-social drama and a minor romance, culminating in a plot surprise I predicted about 45 minutes ago.

The Dancer Upstairs is overlong and never quite as mature and intelligent as it aspires to be; it pretends to be a Costa-Gavras-style political dissection or a John Sayles-style panoramic social portrait, but it’s really just a straight thriller with an exotic setting and fewer surprises than you’d expect.

But I can’t say enough good things about Javier Bardem’s Chandler-esque character, who provides a pretty believable portrayal of that clichéd figure, the lone honest hero who is an idealist in a world of self-interest.

Even the affair he’s thinking about derives from a very pure component of himself. With a low-key yet smoldering, muscular appeal and intensity, Bardem marches through the role.

The Dancer Upstairs (2002 movie) cast and crew

includes other notable talents such as Laura Morante, Juan Diego Botto, and Elvira Mínguez, who all deliver solid performances. The chemistry between Bardem and Morante, who plays his love interest, is palpable and adds depth to the film’s romantic subplot. The supporting cast also shines, each bringing their own unique flair to their respective roles. The cinematography, done by Rodrigo Prieto, captures the gritty and atmospheric essence of the story, adding to the overall tension and suspense.

The film’s director, John Malkovich, showcases his talent for storytelling, effectively weaving together the various narrative threads and keeping the audience engaged from start to finish. Malkovich’s direction is masterful, allowing the audience to fully immerse themselves in the world of the film. The pacing is spot on, with each scene building upon the last, creating a sense of anticipation and excitement. Overall, Malkovich’s directorial choices elevate the film and make it a truly unforgettable experience.

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The First Deadly Sin (1981) Movie Review, Cast & Crew, Film Summary

The First Deadly Sin

The First Deadly Sin (1981) Movie

Based on Lawrence Sanders’ enormous book, it is a tribute to superb yarn-spinning and claptrap ’70s psychology.

The film is considerably more sparse all round—the contrast of the novel between murderer and policeman is gone, save for small snippets of the killer, Daniel Blank, sulking about his flat, and the frenetic ending of the book is ditched for a very low-key denouement.

The film is worth watching chiefly for Frank Sinatra in his last real dramatic performance as Sergeant Edward X. Delaney, the retiring policeman whose wife (Faye Dunaway, who gets to lie around looking sick for the whole film) is dying and becomes determined to nail the shadowy serial killer whacking guys on the head with his ice hammer.

The late, superb actor David Dukes makes a fascinating appearance as the murderer, and there’s wonderful, creepy cinematography of midnight New York by Jack Priestley. Apparently, Roman Polanski was associated with the movie before his stat-rape allegations came out; it’s unfortunate he didn’t get to make it, since Brian G. Hutton’s directing is barely competent.