In 1975, while studying art in London, I stumbled upon a book that would change my appreciation of Celtic art forever: Celtia by Jim FitzPatrick. As an Irish artist, FitzPatrick’s work resonated deeply, blending rich Celtic mythology with stunning visual detail. I first encountered his work through the cover of Planxty’s album The Well Below the Valley, but seeing his art compiled in Celtia felt like discovering a hidden treasure.
Back then, the book’s price of £2.50 felt steep—it was 1975, after all, when a pint cost just 20p. But something about FitzPatrick’s vibrant use of color, intricate designs, and clear influence from the ancient Book of Kells made the investment irresistible. His illustrations, with their knotwork and mythical themes, perfectly capture the spirit of Irish folklore.
Over the years, I’ve added more of FitzPatrick’s works to my collection, including books, greeting cards, and even a signed portfolio of prints. My collection spans various places—from Dublin to Blackburn, and even eBay—each piece telling its own story of Celtic heritage. Among my favorites are posters bought in Bray, which still wait to be framed.
FitzPatrick’s art continues to captivate, weaving ancient stories into modern interpretations. His official website and newer Flickr site showcase a broader range of his work, offering a rich tapestry of Celtic art worth exploring for anyone passionate about mythology and visual storytelling.
