Dive into the psychedelic world of Roger Ebert’s Beyond the Valley of the Dolls! A trippy, violent, and sexy adventure that defies expectations. Uncover the wild ride that shocked audiences in the ’70s!”
Key Points
The Violent, Sexy Odyssey of Beyond the Valley of the Dolls!
In the realm of cinema, the unexpected often yields the most intriguing results. “Beyond the Valley of the Dolls,” a film penned by the late Roger Ebert, defies all expectations. Far from the mild-mannered critic, Ebert delivers a violent, sexual odyssey that leaves audiences bewildered and exhilarated.
A Roger Ebert Revelation
The mere notion of Roger Ebert, renowned film critic, crafting a narrative dripping with violence and sensuality might seem implausible. Yet, “Beyond the Valley of the Dolls” breaks the mold, surprising viewers with its audacious content. Labeled by some as “schlock” or “cheap and inferior,” the film challenges traditional categorizations.
Unveiling the Trippy Tale
The film emerges from the shadows of its predecessor, “Valley of the Dolls” (1967), a tale chronicling the rise and fall of young ladies in show business. Jacqueline Susann, the author of the source material, penned a rejected script for the sequel. However, contractual obligations empowered the studio to create its own sequel, tasking Ebert and Myer to bring it to life.
Not a Sequel, but a Nightmarish World
“Beyond the Valley of the Dolls” opens with a disclaimer, clarifying that it’s not a sequel to its predecessor but delves into the “often times nightmarish world of show business.” Nightmarish indeed, as the film unfolds the twisted journey of three talented young ladies navigating the tumultuous ’60s music scene.
The Rise to Fame
The narrative thrusts viewers into the wild world of the music industry, where the three protagonists, initially a small band, skyrocket to fame. The film’s trippy rock and roll scenes echo the sounds of The Mamas and the Papas. Amidst drug-fueled parties and encounters with eccentric characters, the trio’s encounter with Ronnie ‘Z-Man’ Barzell propels them into stardom.
A Russ Meyer Cherry Popped
For many, “Beyond the Valley of the Dolls” serves as an introduction to the filmmaking prowess of Russ Meyer. Regarded by some as a “pornographer,” Meyer’s films, categorized as ‘sexploitation,’ were risqué, sexy, and occasionally cartoonish. The film, dripping with nudity, mirrors Meyer’s fascination with voluptuous women.
A Film of Its Time
Transporting audiences to the ’60s counterculture, “Beyond the Valley of the Dolls” captures the essence of a bygone era. A journey that embraces the era’s hippy, drug-infused spirit, the film remains a relic of a time when such bold storytelling was possible.
Controversy and Success
Released amidst controversy, the film faced an “X-rating” from the MPAA, courtesy of its explicit content. Venturing into themes of homosexuality, bisexuality, and promiscuous sex, it dared to challenge societal norms. Surprisingly, the film became a financial success, earning nine million on a modest budget of $900,000.
A Shocking Brilliance
Viewed with fresh eyes, “Beyond the Valley of the Dolls” remains an entertaining and shocking spectacle. The film’s brilliance shines through a daring narrative choice—revealing the entire ending during the opening credits. A visual puzzle that only gains meaning after the full journey, leaving audiences in awe.
Trippy, Sexy, Violent: Highly Recommended
For those seeking a cinematic experience that transcends the ordinary, “Beyond the Valley of the Dolls” is a must-watch. A trippy, sexy, and violent escapade that defies conventional norms, offering a unique glimpse into the unbridled creativity of Roger Ebert and Russ Meyer.
Director: Russ Meyer
Cast: Dolly Read, Cynthia Myers, Marcia McBroom, John Lazar
